Saturday, August 1, 2009

Love Aaj Kal : Black Tea is better than Black Coffee.

Watch Saif Ali Khan "drink" his black tea. Turban and attitude firmly in place - all so cool!. Then you see him "act" as he drinks his black coffee and flexes his biceps - aargh! weak man weak!.

Love Aaj Kal

I happened to catch a show last night. A bunch of beer-damp, un-fed office mates and me (Yeah! I decided to bunk-dump the depressing delivery-on-time scene and dragged them along for the flick). The film, I kinda liked it. The other guys ummm... didn't. Here's the bits and pieces of the flick that I picked up.

The good bits:

It's very fresh, charming in bits. The time fracture is nice. The whole "tell a tale in 2 minutes then tell it again in 2 hours" presentation is neat too (don't worry if you don't get this line till after you've seen the flick).

You'd've seen it all before. All the thingies, the situations, the sexless virgin, the mock innocence, the story, the sardar stereotypes, everything - repeat telecast - but, but, but, the approach here is quiet new and fast. That is how it engaged me. I think that is the strength of the film. One by one, it takes the most cliched situations ever on the desi film and turns it into a self-refferential, pattern-breaking moment. Esp. the climax. Neat.

Deepika Padukone is pretty natural in most of the talky bits. She is a little out of depth, unsure of her role, out of character in those dancy, just-look-at-the-camera-and-smile parts. Both, Saif and Deepika throw a fake laugh or two, but, it's easily forgiven.

Saif's surd-attitude and Deepika's calm-contemporary-hip is an engaging act all in all.

The umm... okay bits:

The film fails where the new age Saif tries too hard to be charming (probably another self reference - who knows!). The initial break-up scene was so cool in the trailers, but, it's a lost moment in the film. Initially, I loved it when the film told a 30-40 minute tale in about 2 minutes in the beginning (including the meet cute - "I don't want to pile up..."), but, soon enough there is a 5 minute drag of a scene with Rishi Kapoor. The film totally lost its pace there. It picks up again in a few minutes and maintains this uneven pace throughout. Fast and engaing, then a drag, again fast, engaging, again a drag - it could've been like a few minutes shorter and it would've been like a few notches nicer.

At times the performances were a let down. The old-timer-cute-girl act by the actress with no name was a turn off.

Here's the best "okay" bit: The old-surd Saif, sips his black tea with elan, his act is better, more confident, more polished. On the other hand, the new-bicep-ey Saif, "appears" to be sipping his black coffee (It's Americano - espresso "stretched" with hot water - so you get a mug full of bitter liquid), you can see the sham, his act is scratchy, good in parts, bad in parts and not well etched at all. It looks like Saif was saying: "Black Tea is better than Black Coffee." - old vs. new.

The bad bits:

Neetu Singh is such a cliche! I think the scene would've been nicer if we'd only get a hint of the real-life love: "Veer singh enters his house, hangs his coat and heads to the chair announcing his presence. We see female hands preparing two cups of black tea. Veer Singh smiles - END"

At times, the film appeared bold enough to just say what it had to, but, at others it chickend out, taking its audience for retards, it started explaining everything. Looked like someone was really interfering with the director's work. This uneven-ness is what hurts the film the most. I kinda hoped for a repeat act from the guy who did "Jab We Met", but, I guess, two in a row is not an easy task.

Still, all said and done, the film is heads and shoulders above the rest of the desi rom-com mud-muck.

Try it. You just might like it. My beer-damp office-mates (with due-respect) may beg to differ...  ;)

:)

.

S.

3 comments:

  1. Saw it again today. I must say, it is easily one of the best Indian cinema has offered this year.

    There is however one holy moment that I totally liked so much I must talk about it here.

    This is just after the "rolla-rakka" song. Jai beds the firangi chick (Zoe) and smiley-walking back to his car, he takes out his phone and remembers something - rushes back to the firangi girl and asks her name - THEN MESSAGES MEERA that he just bed someone.

    "bedding a chick and not knowing her name" was not the point.

    The point was jealousy. Meera was going to dinner with another male. Jai had to get back to her. It was a boxing match to his ego. He had to hit back. It mattered a lot that he should write the name of the girl he just bed on the message that he is sending to the girl he thought was his.

    It was a holy moment, yet it was done with such subtle finesse, such delicate sincerity that it would make any sane person go "ah!".

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  2. I think your interpretation of the holy moment was not the director's or the story-writer's intention; but, I think you have caught a good spin.

    I wasn't beer-damp, when I saw it, but I concur with your office mates (being one of them, sigh, what can I say). My sober thoughts are up on my review blog.

    You need to see some good cinema; your standards are susceptible victims of shifting quicksands.

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  3. [...] of Harleen is when she grows old and becomes Neetu Singh. What can I say? (Update: even if certain filmy types think otherwise) All my wishes of rather being stuck in traffic vanished without a [...]

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